"Ben Rawson’s lighting took advantage of the theater’s technical capabilities with striking and fitting changes of color, atmosphere and shape — from the stark, black-and-white beginning to intimate spaces created by angles on stage, to side light coloring dancers’ bodies to highlight the work’s most interesting pure-movement sections."

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"In a solo, John Welker, veteran of just about every principal role in the classical repertoire, showed himself in a new light. Poised on the floor in an angle shaped by Rawson’s light, Welker sat, legs in front of the body, as if in an unguarded moment in the studio."

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Cynthia Bond Perry - ARTS ATL